All Dante Gabriel Rossetti Oil Paintings
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Dante Gabriel Rossetti The Blue Bower (mk28) oil painting


The Blue Bower (mk28)
Painting ID::  24435 		Artist: Dante Gabriel Rossetti
Painting: The Blue Bower (mk28)
Introduction: 1865 Oil on canvas 90 x 69 cm Barber Institute of Fine Arts University of Birmingham
   
   
     

 

 

 
 

 

 

 
Dante Gabriel Rossetti Regina Cordium (mk28) oil painting


Regina Cordium (mk28)
Painting ID::  24436 		Artist: Dante Gabriel Rossetti
Painting: Regina Cordium (mk28)
Introduction: 1866 Oil on canvas 59.7 x 49.5 cm Art Gallery and Museum,Kelvingrove,Glasgow
   
   
     

 

 

 
 

 

 

 
Dante Gabriel Rossetti Sibylla Palmifera (mk28) oil painting


Sibylla Palmifera (mk28)
Painting ID::  24437 		Artist: Dante Gabriel Rossetti
Painting: Sibylla Palmifera (mk28)
Introduction: 1866-70 Oil on canvas 94 x 82.5 cm Lady Lever Art Gallery,port Sunlight
   
   
     

 

 

 
 

 

 

 
Dante Gabriel Rossetti Reverie (mk28) oil painting


Reverie (mk28)
Painting ID::  24438 		Artist: Dante Gabriel Rossetti
Painting: Reverie (mk28)
Introduction: 1868 Chalk on paper 84 x 71 cm Ashmolean Museum Oxford
   
   
     

 

 

 
 

 

 

 
Dante Gabriel Rossetti John Parsons Jane Morris (mk28) oil painting


John Parsons Jane Morris (mk28)
Painting ID::  24439 		Artist: Dante Gabriel Rossetti
Painting: John Parsons Jane Morris (mk28)
Introduction: 1865 Photograph Victoria and Albert Museum,London
   
   
     

 

 

 
 

 

 

 
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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | Panfilo Nuvolone | Paye, Richard Morton | Georeg frederic watts,O.M.S,R.A. | Stanislav Feikl | Gonzales Coques |

 

 

 
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